Analysis of the symbolic images in the work of Mexican theater of: "all cats are brown," the writer Carlos Fuentes and "Palinuro on the stairs," the writer Fernando del Paso

Authors

  • غيداء قيس ابراهيم University of Baghdad, College of Languages, Dept. of Spanish

Abstract

 This article briefly analyzing contemporary works appeared in theater writer from Latin America, which comes within the theme of "power." Latin American Literature, such as two-way extremely clear: the vanguard of social and attention, have arrived at certain moments to some extent be regarded as a two-way rival. That desire to participate in the revolution of expression and artistic significance, has appeared evident in the literature of Latin America in the late nineteenth century and ended in the third decade of the twentieth century. The writers that stage would prefer not to serve the objectives of the revolution of Arts own but the objectives of social and political revolution that stimulate the world. These acts were issued in different historical times, characterized by the type of my perception of events, but it is diagnosed as a case of humanitarian power permanently. And it dealt a symbolic study and the concept of "power" in the two works playwrights of the finest writers of Latin America, particularly Mexico, which has suffered in past centuries during the Spanish occupation of the new continent of the authoritarian practices of the authority of the occupier where the subject of power in the history of world literature was the target of a lot of discussions and studies.As for the search axes has been selected the following actions:

- "All cats are brown" (1970) Mexican writer Carlos Fuentes Macias, in which the idea of the power comes tightly linking religion and the concept of a world of two different cultures: the culture Alozatkih and Spanish (metaphor cats and color).

" Palinuro on the stairs" (1992) Mexican writer Fernando del Paso. This work was part of Tragide- Comedy, from which used elements of "Comedy del Arte" (Commedia dell'Arte) mixed with elements of contemporary theater. Again highlights the subject of power, and in this case comes championed student rebel movement 68 against absolute tyranny (the massacre of students in Talatiloloko) (metaphor climbing stairs).           

Author Biography

  • غيداء قيس ابراهيم, University of Baghdad, College of Languages, Dept. of Spanish

    الاستاذ المساعد الدكتورة غيــداء قيــس إبـــراهيم ، تدريسية في قسم اللغة الاسبانية / كلية اللغات في جامعة بغداد ، تمارس مهنة التدريس منذ عام 1996 بعد ان حصلت على المركز الاول على جميع كليات جامعة بغداد من حيث المعدل في سنة تخرجها، حصلت على شهادة الدكتوراة في تخصص "علم اللغة" في  الاسبانية من جامعة محمد الخامس (آكدال) في المغرب  بدرجة امتياز مع مرتبة الشرف ، لديها أصدارات مترجمة عديدة  في مجال الترجمة من الاسبانية الى العربية وبالعكس ، تتقن لغات اخرى كالانكليزية والبرتغالية أضافة الى لغتها الام (العربية)، لديها الكثير من البحوث العالمية والمحلية المنشورة في مجال علم اللغة ودراسات نقدية في الادب الاسباني ، اضافة الى ممارستها المتواصلة لنشاطات علمية واكاديمية  في داخل العراق وخارجه في نفس مجال التخصص.

     

    الايميل: [email protected]

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Published

2018-01-01

Issue

Section

Department of Russian Language

How to Cite

Analysis of the symbolic images in the work of Mexican theater of: "all cats are brown," the writer Carlos Fuentes and "Palinuro on the stairs," the writer Fernando del Paso. (2018). Journal of the College of Languages (JCL), 34, 113-134. https://jcolang.uobaghdad.edu.iq/index.php/JCL/article/view/220

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